Khadija Baker is a Montreal-based, multidisciplinary artist of Kurdish-Syrian descent (born 1973 in Amuda, Syria). Baker immigrated to Canada from Syria in 2001; she completed her MFA studies at Concordia University 2012. She is a core member of the Centre for Oral History & Digital Storytelling (COHDS) at Concordia University. Her installations investigate social and political themes centered on the uncertainty of home as it relates to persecution, identity, displacement, and memory. As a witness to traumatic events, unsettled feelings of home are a part of her experience. Her multidisciplinary installations often combine textiles, sculpture, performance, sound and video, and involve participative storytelling and performance to create active spaces for greater understanding. Baker continues her research creation at the Centre for Interdisciplinary Studies in Society and Culture (CISSC) at Concordia University. She was awarded Rewilding Arts Prize by David Suzuki Foundation and Rewilding Magazine. Most recently she was awarded Miriam Aaron Roland Family Scholarship for her research creation at Concordia University.

Lateef Martin is a multi-disciplinary artist, from writing, music production, voiceovers, dance, cosplay and fabrication. At the core of it, he is an illustrator with a taste for video games, comics, sci-fi and 80s Saturday morning cartoons.

Jane Eyre Jordans is a multidisciplinary artist who explores the intersections of identity, memory, and personal experiences mainly through video, performance, and installation art. Born to a Canadian Italian-Jamaican family, her work reflects her unique background and perspective as a queer mixed-race black woman.

Lucie Marchand crée à Montréal de manière de plus en plus régulière, contribuant ainsi à l'enrichissement du paysage artistique local.

Lydia Yakonowsky est une économiste et artiste multimédia. Elle déconstruit et réutilise les éléments visuels des graphiques basés sur la théorie économique pour créer des œuvres immersives originales, refaçonnant l’utilité de la modélisation statistique.

Manon pelletier vit et travaille à Montréal. Elle détient une maîtrise de L’UQAM, elle est récipiendaire de bourses du CALQ, CAC et la SODEC. Axé sur un travail multidisciplinaire, résultat d’un amalgame de procédés manuels et numériques.

Depuis plusieurs années, j'œuvre dans le but de développer et de traduire mes connaissances en costumes de scène vers l’ère des opérations numériques. Je suis dotée d'une énorme créativité quand vient le temps de jumeler les nouvelles technologies aux beaux-arts.